"Casanegra" shows storied city in realistic light

(LAKHMARI, THROUGH, CASANEGRA, ABOUT, CHARACTERS, KARIM)

By Natasha Senjanovic
TAORMINA, Italy (Hollywood Reporter) - The likes of Bogey and Bergman are nowhere to be seen in Nour Eddine Lakhmari`s tour through the nocturnal underbelly of Casablanca, or "Casanegra," as the city`s underclasses call it. Lakhmari picked up the prize for best director at the Taormina festival for this film about two childhood friends, young men striving to rise above the surrounding squalor.
Moroccan films usually are relegated to art-house cinemas, but "Casanegra" is hip, stylish and engaging enough to break out further -- if it weren`t for its two-hour running time. Lakhmari takes too long to set up the main premise, and then too long to see it through, though offering some Coen-esque characters and social criticism along the way.
The film begins with the protagonists running from the police, then flashes back to explain how they got there. Adil (Omar Lotfi) lives with his mother and violent stepfather and dreams of moving to Sweden. Karim (Anas Elbaz) is secretly in love with an older, upper-class French woman, and his family struggles with the burden of his sick father.
The two make petty money through petty crimes, some for local heavy Zrirek (a deliciously over-the-top Mohamed Benbrahim), whose sadism is equaled only by his neurotic love for his little dog.
The more street-smart Karim is leery of getting further involved with Zrirek, but Adil needs to score big to buy fake documents for Sweden, and hopes to take his buddy with him. You know things will go downhill when Adil talks his friend into accepting just one big job that will solve all their troubles.
The film caused a scandal at home, presumably for offering a different view of the infamous city. Like Lakhmari`s antiheroes, no one in the developing or developed world wants to work menial jobs anymore, and class divisions widen especially in poorer countries. Even Karim, the brains of the duo, would rather continue selling contraband cigarettes than gut fish for his father`s exploitative former employer.
The acting from newcomers Lotfi and Elbaz is first-rate. Their chemistry is good, and they easily walk that fine line of making audiences care about two characters with relatively flexible morals. Shot mostly at night, the film has a palette of mostly seedy yellows and washed-out blues.
Original article

"No Clothes" brings together comics, politicos

(COMEDY, FORMER, SECRETARY, PRODUCERS, USCAF, ASPEN)

By Georg Szalai
NEW YORK (Hollywood Reporter) - "The News Has No Clothes," a stage show mixing politics and comedy and featuring comedian Lewis Black and former White House press secretary Dana Perino, might be the next late-night television format.
Veteran comedy producers and masterminds of the defunct U.S. Comedy Arts Festival (USCAF) in Aspen, Colorado, are returning to the mountain resort as part of this week`s Aspen Ideas Festival to try out their idea. If the stage show works, its producers hope to pitch the concept -- described as "The View" and "Politically Incorrect" meet the vintage BBC show "That Was the Week That Was" -- to TV networks for a possible late-night slot.
The first trial Thursday will feature co-hosts Perino (press secretary for President George W. Bush), Black, comedian D.L. Hughley, public radio host Kurt Andersen and "Daily Show" correspondent Larry Wilmore. It will include video packages by the Onion. Among the issues to be debated are the role of the news media, the economy, President Obama`s performance and the culture wars. Guests for specific topics will include former Secretary of Homeland Security Michael Chertoff. The show also will feature stand-up performances.
The team behind the idea includes Joe Lang, director of festival producer Jazz Aspen Snowmass and former local producer for USCAF; Craig Minassian, assistant press secretary and director of TV news in the Clinton White House and USCAF director; Robert Morton, former executive producer of "Late Show With David Letterman" and Comedy Central`s "Chocolate News"; and Stu Smiley, executive producer of "Flight of the Conchords" and "Everybody Loves Raymond" and a USCAF founder.
"So many late-night shows are single-person and host-driven," Morton said. "But you can plug various talent into this format."
The Aspen experiment also is a sign of the times. Facing cutbacks in the television development and pilot process, the producers decided to take matters into their own hands by taping the show, with the goal of showing it to networks themselves.
(Editing by Sheri Linden at Reuters)
Original article

Young, Springsteen give Hyde Park rock masterclass

(YOUNG, SPRINGSTEEN, STAGE, LONDON, PLAYED, VERSION, SONGS)

By Angus MacSwan
LONDON (Reuters) - If Mount Rushmore featured rock `n` rollers instead of U.S. presidents, the faces of Neil Young and Bruce Springsteen would surely be carved there.
The two elder statesmen showed just why they are venerated by fans of all ages at the Hard Rock Calling festival in central London`s Hyde Park this weekend in performances brimming with passion, energy and timeless songs.
To cap it all, Sir Paul McCartney joined Young on stage for his encore, literally bowing at his feet as the Canadian played a feedback-drenched version of the Beatles "A Day in the Life."
Now aged 63 and 59, neither Young nor Springsteen has let up the pace in recent years. Both have released new albums in the past several months which had their moments even if they did not reach the heights of past classics.
They each took prominent positions against former U.S. President George W. Bush and the Iraq War. Springsteen campaigned hard for Barack Obama and played at his presidential inauguration.
Politics was largely absent from the Hyde Park shows though as they focused on entertaining the summer crowds in London, after headlining the Glastonbury Festival earlier in the week.
Young took to the stage on Saturday night looking like an old mountain man seeking shelter from a storm, with his bedraggled, thinning hair, craggy features and muttonchop sideburns. Not known for indulging his audiences, he played a crowd-pleasing set which drew heavily on "Harvest," his best-known album, and the guitar-heavy "Everybody Knows this is Nowhere."
He kicked off in his "Godfather of Grunge" persona with a crunching version of "Hey, Hey, My, My" and its refrain "it`s better to burn out than to fade away." He then stormed though a number of hard rockers, delighting rapturous fans, before switching to a mellow mood with a run of country-flavored numbers including "Heart of Gold" and "Old Man," as night fell on the park.
Young finished with a blazing version of "Rockin` in the Free World," uncharacteristically leading the crowd in a bout of arm-waving and leaving his black guitar wailing feedback, its strings shredded.
McCartney, an old friend, bounded on stage to join Young for the encore of "A Day in the Life," hugging Young and dancing around him. The two were clearly having fun.
Among the crowd was Beth Harley, a 26-year-old archaeologist, who had just arrived from Turkey on Saturday morning to see Young. She said she had grown up listening to his music as her parents played it all the time.
"It`s got a lot of edge. The songs don`t seem to age. It still seems relevant to what`s going on now," she said.
If Young is a willful eccentric, Springsteen is the great showman who delivers every time.
Taking the stage with the mighty, black-clad E. Street band, he launched into The Clash song "London Calling," bellowing its refrain "we live by the river" loud enough to be heard just down the road at Buckingham Palace. He then moved into more familiar territory with "Badlands" and the pace didn`t let up for the next three hours.
Springsteen ran around the stage, danced, and strutted along a special platform to get close to the fans and collect signs with song requests. He sang plenty of old favorites, switching from songs on the dreams and struggles of the working man to joyful sing-alongs.  Continued...
Original article

A tale of two L.A. festivals

(FESTIVAL, FILMS, LAFF, AFI, YELDHAM, SCREENINGS, WHICH)

By Kirk Honeycutt
LOS ANGELES (Hollywood Reporter) - Hollywood might be the heart of English-language moviemaking, but when it comes to film festivals, the city lacks a major-league franchise.
Not that Los Angeles has no film festivals. One of its two big ones, the Los Angeles Film Festival, successfully wrapped its 2009 edition Sunday. But the casual movie fan couldn`t be blamed for puzzling over the identities of the two festivals, LAFF and AFI Fest. However, recent leadership changes at both fests and economic realities of the recession might more forcefully define those identities.
LAFF, which has settled into the cozy confines of Westwood Village and nearby venues for several editions, is produced by parent organization Film Independent (FIND). Rebecca Yeldham, producer of such films as "The Motorcycle Diaries" and "The Kite Runner," came on board as festival director only three months before the current edition began, following the resignation of Rich Raddon.
Although she did inherit a significant support network in FIND exec director Dawn Hudson and LAFF director of programing Rachel Rosen, the wrapped fest was a learning experience for her. Where things go from here is, as she put it, "to be determined."
At the moment, the festival is a bit of this and a bit of that. But like AFI Fest, you won`t find many acquisition execs at its screenings. Neither festival tends to premiere must-see indie films. In its recent edition, LAFF showed several Sundance hits, and even in its narrative competition -- a place where one would expect new films -- "Turistas" played at Venice last year. The fest also included splashy premieres of such studio films as "Transformers: Revenge of the Fallen" and "Public Enemies" to bring crowds to Westwood.
Yeldham did open the festival for the first time with a world premiere of a film without a distributor. "Paper Man" did the trick: It attracted an audience filled with film scouts, studio execs and heads of independent companies.
Yeldham pronounced herself pleased with the results -- "It was a magical night for the audience and the filmmakers," she said -- but reviews of the film were tepid, and few of the execs at opening night were seen during the remainder of the festival.
Because major premieres of new works are unlikely only a few weeks after Cannes has wrapped, LAFF seeks to create "events." These range from a screening of a restored print of the 1971 cult film "Billy Jack" to "Poolside Chats" at the W Hotel and "Festival Conversations" at various venues where festivalgoers interact with filmmakers, writers and others.
Yeldham promises to increase such events. The way of the future, she said, can be seen in the new Artist in Residence component, where "The Kite Runner" novelist Khaled Hosseini and Pritzker Prize-winning architect Thom Mayne curated favorite films and participated in discussions related to those selections.
Yeldham insisted that despite being a production of FIND, "we want the Los Angeles Film Festival to be a celebration of cinema from wherever the films may come, not just American independent filmmaking."
Across town, AFI Fest plays the role of the city`s long-established festival. For more than 23 years, the festival has been presented by the American Film Institute. Its declared ambition has been to survey cinema from around the globe. Coming near year`s end, AFI Fest tends to be a roundup of the most significant films of the year. But, again, few new films.
Rose Kuo came aboard as artistic director last year following the departure of Christian Gaines. AFI Fest, which runs October 30-November 7, will undergo significant changes, some, Kuo said, dictated by "new economic realities."
The festival is moving its main venue from the ArcLight Cinemas to Grauman`s Chinese. The festival will shrink from 11 days to nine and offer free tickets to all screenings.
"We are asking the public who can be part of our philanthropy to be a patron and contribute to the festival," Kuo said. "Those who can will get a pass, which gives priority entry at the door. All individual tickets to general screenings will be complimentary for all screenings, including a limited number of individual gala tickets."
If all major L.A.-based film curators -- which would include LAFF, AFI and the city`s two cinematheques, the American Cinematheque and UCLA Film & Television Archive -- came together with studio support to create a single festival, it might rival such attention-grabbers as Austin`s South by Southwest or even Sundance. But organizational egos and branding needs always have prevented the formation a superfestival in L.A.  Continued...
Original article

Connery blasts BBC at Edinburgh film awards ceremony

By Ian MacKenzie
EDINBURGH (Reuters) - Actor Sean Connery lashed out at the BBC for its coverage of the awards ceremony at the Edinburgh International Film Festival (EIFF) on Sunday when he handed out the prizes.
The EIFF award for the best new British feature film went to Moon, a "creepy, poignant and funny" sci-fi film directed by Duncan Jones. The film, which received a prize of 20,000 pounds, stars Sam Rockwell and Kevin Spacey.
Connery, a festival patron who gained worldwide fame for his portrayal of British secret agent James Bond, told a packed audience on the final day of the EIFF that the BBC had 300 technicians at the current Glastonbury pop and folk festival in southwest England.
"Not one (technician) at the Edinburgh International Film Festival," he said.
"It affects us all, it certainly affects me, and I think we should do something about it."
The BBC said in response: "BBC news outlets covered the Edinburgh International Film Festival on radio, TV and online. Obviously Glastonbury is a huge live music, arts and performance event and cannot be compared as like for like."
It said the BBC would cover the Edinburgh international arts festival and T in the Park pop concert later this summer.
In Moon, Rockwell`s character has almost ended his three-year solitary posting mining fuel for earth on the moon with thoughts of returning to the planet and his family.
But as his return date approaches, life on his self-contained world takes a startling turn. The jury praised Moon for its "singular vision and remarkably assured direction"
The award for best performance in a British feature film went to Katie Jarvis for her role as 15-year-old Mia in Fish Tank, "an intense and surprising story of love, lust and family."
Jarvis turned 18 last week and said this was her best birthday gift.
Easier With Practice, directed by American Kyle Patrick Alvarez took the best new international feature award featuring sex, love and loneliness over the phone.
Best documentary award was taken by Aliona Van der Horst of The Netherlands with a lament for cult Russian poet Boris Ryzhy, who committed suicide in 2001 aged 26.
American director and writer Cary Jojo Fukunaga won the new director award for Sin Nombre centered on Honduran teenager Sayra and her involvement with a dangerous gang member on the run.
The Edinburgh film festival, which opened on June 17, has as one of its major aims discovering and promoting new talent in the industry.  Continued...
Original article

Woodstock rarities unearthed on boxed set

By Gary Graff
DETROIT (Billboard) - Thirty-eight previously unreleased recordings from groups such as the Who, the Grateful Dead, Creedence Clearwater Revival and Jefferson Airplane will be included on a boxed set commemorating the 40th anniversary of the Woodstock festival.
The six-CD, 77-song collection, "Woodstock -- 40 Years On: Back to Yasgur's Farm," will be released by Rhino on August 18.
Among the highlights are a 19-minute rendition of the Dead's "Dark Star," "Amazing Journey" and "Pinball Wizard" by the Who, "Feelin' Alright" by Joe Cocker, CCR's "Bad Moon Rising," Blood Sweat and Tears' "You've Made Me So Very Happy" and tracks from Sweetwater, Bert Sommer, Tim Hardin, Ravi Shankar, Joan Baez, Melanie, Country Joe & the Fish, Sha Na Na, the Butterfield Blues Band and Johnny Winter.
The set, whose retail list price is $79.98, also restores full-length performances of Canned Heat's "Woodstock Boogie" (to a whopping 30 minutes) and the Who's "We're Not Gonna Take It," and it includes the never-released Woodstock performances of Arlo Guthrie's "Coming Into Los Angeles" and Mountain's "Theme for an Imaginary Western," which were replaced by better-sounding recordings from other concerts for the original "Woodstock: 3 Days of Peace and Music" soundtrack.
The track lineup reflects the actual performance order of the legendary 1969 festival, and it includes stage announcements (you still need to avoid the brown acid, apparently), Wavy Gravy's announcement of "breakfast in bed" for the crowd estimated at 500,000, Max Yasgur's famous speech to the audience and audio of Abbie Hoffman's encounter with Who guitarist Pete Townshend.
"This will be the most comprehensive collection of Woodstock music yet," Rhino vice president of A&R Cheryl Pawelski told Billboard.com. "The goal was to make it as real as possible ... as authentic an experience as possible. It feels like dirt. It feels like a field. We wanted to take you there. We worked very hard to make it a true document of that time."
Co-producers Andy Zax and Mason Williams compiled "Woodstock -- 40 Years On" from the original multitrack tapes recorded during the festival.
One performance is conspicuously absent; Pawelski says Ten Years After would not clear the use of its performance -- including its epic version of "Goin' Home" -- for the boxed set. The Band and Keef Hartley were the only other acts that opted out of the set.
"Woodstock -- 40 Years On" follows Rhino's re-release earlier this week of "Music From the Original Soundtrack and More: Woodstock" and "Woodstock 2." A new Woodstock.com Web site also launched this week, and a new DVD edition of "Woodstock: 3 Days of Peace and Music -- The Director's Cut" comes out Tuesday.
On June 30, Legacy adds to the onslaught with "Woodstock Experience" editions of seminal albums by five of the festival's acts -- the Jefferson Airplane's "Volunteers," Janis Joplin's "I Got Dem 'Ol Kozmic Blues Again Mama!," Santana's debut album, Sly & the Family Stone's "Stand!" and Johnny Winter's self-titled effort -- each with a second CD featuring the act's complete Woodstock performances, on disc for the first time.
(Editing by Sheri Linden at Reuters)

Source: Reuters